Bring the Funky Food

I recently read Jonathan Gold’s “Bring the Funk: Izayoi Moves to the Rhythm of the Izakaya,” a

fantastic review of an authentic, hole-in-the-wall Japanese restaurant. Gold’s description of the

various food items appeals to all of the senses, vicariously exposing the reader to the setting of

the restaurant.

The various scents, flavors, sights, sounds, and textures of the food, the tables, the chefs--it all

comes together to seat the reader at Gold’s side, tasting the dishes with him and experiencing the

wonder of discovery.

The endless courses of appetizer-style food, sake flowing like water, the laughter and discussions

that occur around a narrow table that fills the confines of the tiny restaurant, all blend together to

make the izakaya, a traditional Japanese restaurant-bar that combines cheap, quality appetizer-

style foods and alcoholic drinks with an extremely tightly-packed, intimate setting.

Gold gives a brief history of the chef, Junichi Shiode, a Japanese chef who originally ran the

restaurant Sushi Ryo in Los Angeles. Shiode left Los Angeles to start a small restaurant right just

outside of Tokyo. The culture and menu of an izakaya is entirely different from those of most

Western restaurants.

“Izakaya menus are typically long and hard to follow,” said Gold in LA Weekly, “with a host of

different sections unfamiliar to anyone not versed in the style, and a list of daily specials often as

long as the menu proper that seem randomly thrown onto the page. Here is the secret: Order lots

of stuff.”

Gold’s descriptions of the food allow the reader to almost taste the food as he puts it into his

mouth, despite the interesting origins of some of the flavors and ingredients. While most Western

food, especially that of America, does not involve much “exotic” seafood, Japan’s island culture

is intensely focused on fish, squid, shellfish, and other Pacific seafood.

Gold shows you the flavors and emotions that come with every bite, then reveals that the “squid”

that he just ate was, in fact, squid liver; he shares the shock of the realization that squids do have

livers and that they are in the relative size, shape, and flavor of a raw calf’s liver.

The cream cheese flavored with bonito and topped with little salty curls; the bonito flavor was

actually bonito intestines and the little salty curls were dried and grilled skate fins. While I would

never dream of eating bonito intestines, Gold shows the flavors in such a way that now I’d like to

take a bite.

Gold uses highly sensory descriptions to draw the reader into the culture and atmosphere of a

Japanese izakaya. He appeals to the senses, bringing the reader to sit with him, eating traditional

Japanese food, drinking sake, and enjoying the intimate conversations that only come from a

tiny, hole-in-the-wall restaurant-bar just outside of Tokyo.

“Bring the Funk: Izayoi Moves to the Rhythm of the Izakaya” can be accessed through the

Pulitzer Prize website at Pulitzer.org, or through the LA Weekly at www.laweekly.com/bring-the-

funk/.